The collection comes in two designs. Sense is clean and unfussy: a narrow piping detail at the edge, button closure, no further gesture. Reverie adds a contrasting white border to the duvet cover and pillowcases – a single frame that sharpens the colour beneath it. Both are made from 400TC satin-weave cotton in four colours. The fitted sheets are universal and work across all designs and colours, which means you can mix freely.
The most committed of the four colours. In low light it reads almost black; in morning light it pulls warmer, closer to dark plum. In Reverie, the white border is sharp against it – almost architectural, the kind of contrast that makes a bed look like a considered decision. In Sense, the same colour becomes quieter, more personal.
Softer than the name suggests – closer to dusty mauve than cool blue, with enough warmth to work in almost any bedroom regardless of how the light falls. The colour most likely to look exactly right the morning after you make the bed.
Indigo was one of the most traded pigments in the world for centuries, extracted from plants and carried across continents long before synthetic dyes existed. A good indigo is never fully flat – there is always something happening within the surface. In Reverie, Mood Indigo has a nautical precision. In Sense, it becomes something closer to midnight.
The warmest and most versatile of the four. A sandy camel with a golden undertone that shifts depending on the light – cooler in the morning, richer in the evening. The colour that asks the least of a room and gives the most back. It also combines most naturally with the other three: a Plum Kitten sheet under a Plaza Taupe duvet, or Mood Indigo pillowcases against a Plaza Taupe ground.
The quilted bedspreads and pillowcases that complete the collection. Made to work across all four colours and both designs, Cloud adds a final layer of texture to the bed without competing with what is underneath it.