Spring Sale: Our 10 Favourite Finds at Up to 50% Off

The Sanderlight has a tall, softly padded headboard that leans back just enough to make reading in bed feel intentional. The upholstery is continuous from front to base, and the bed includes full-length storage underneath: seasonal bedding, spare pillows, everything the bedroom floor should not have to hold.

Designed by James Patterson for Dantone Home, the Textures Bar Cabinet belongs to a collection built around dimensional surfaces. The façade is made from individual blocks of solid oak, each one cut and placed to catch daylight differently as the hours pass. Behind the textured doors: an open shelf and four compartments, enough to keep everything organised and out of sight.

Solid elm, open shelves, and a criss-cross frame that gives the piece its graphic character. The Potter reads as furniture and as architecture at the same time: at 180 cm tall and 152 cm wide, it holds a wall on its own. The open construction keeps the room behind it visible, so it works as a room divider as well as it does against a wall.

The Paradiso sits low, with a curved backrest that wraps gently around the shoulders. The proportions are generous without being bulky: wide enough to shift position, deep enough to settle into, but compact enough for a reading corner or beside a window. The beech legs keep the visual weight off the floor.

A marble surface on a cast aluminium base: two materials, two textures, one clean profile. The stone top has the natural variation you expect from marble – veining, tonal shifts, a surface that looks different depending on the light. At 64 cm across and 42 cm high, the Colline works well beside a sofa or between two armchairs.

A full-length mirror that stands at a slight angle rather than flush against the wall. The tilt changes how you see yourself: more of the outfit, more of the room behind you, a perspective closer to how others actually see you. The stainless steel frame is slim enough to stay out of the way, and the base keeps it stable without needing to be fixed to anything.

Three metres of olive tree, realistic enough to hold up at close range. The trunk has the gnarled, uneven texture of a mature tree; the leaves vary in tone the way real olive foliage does – silvery on one side, darker on the other. On a balcony or in a living room corner, it brings the presence of greenery and the feeling of an outdoor space without any maintenance, watering, or natural light requirements.

Stoneware base, linen shade, and a spiral-shaped surface that wraps around the cylinder. The texture is what gives the Remi its character: in daylight it reads as a sculptural object; switched on in the evening, the spiral catches the glow and adds a slow, rotating rhythm of light and shadow across the surface.

A small ceramic planter with a copper-toned glaze that will look slightly different on every piece: the nature of the finish means each one carries its own variation in tone and depth. At 26 cm across and 28 cm tall, it is sized for a side table, a console, or a bathroom shelf.

Woven seagrass, 72 cm wide, flat enough to organise a coffee table or a console without adding visual clutter. The material is light, tactile, and ages well – the tone deepens slightly over time, the way natural fibres do. A useful object that also happens to look right wherever you put it.

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